After about 3 decades since the beginning of the imposed war and the creation of the early works of theater of the Sacred defense war and about twenty years after its end, it is possible to say after looking at the bulk of the works that have been produces that one of the main problems and issues of the theater of the Sacred defense war is lack of attention to the item of interest or devaluation of it in the theater of the Sacred defense war. Interest is an item, the presence of which, gives life to a theatr ical work and the absence of which takes away life from it. . .

of “Tadoj Cosan’s”? categorization each of which has a very important and effective role in the production of meaning. Among these signs, the terms or in other words the written text of the dramatic event – the only thing that remains as reminiscence in a written form – is a basic element in the ideas of many of the scholars. Even though, the study and investigation of the semiotics of the signs seems to be more attractive in performance domain due to the more completed form of any theatr ical form. But the special study of the written text and discussion over the system of signs of the words and terms is of great importance because this part of the sign systems has got the highest and the most important role in the production of meaning. Any text of the dramatic event has got in them many elements that create meaning which are in turn related with a system of signs that is directly related to a sign system. Some others are by inference and intimation in the service of the other sign systems.